Historical Fiction and Political Correctness by Author Ronald E. Yates

I belong to an online Historical Novels discussion group. It is a lively assemblage with lots of discussions ranging from how one researches historical novels to selecting book titles.

Most recently someone started a discussion about being politically correct in historical novels. The result has been a long thread of comments from authors of historical fiction books.

Almost to a person, authors of historical fiction say political correctness should NEVER influence how we write about the past. To do so is to be disingenuous to those who read our books.

Our job as authors of historical fiction is NOT to “clean up” or rewrite history so the sins of the past are expunged from our consciousness. The fact is overt racism, religious oppression and other forms of discrimination have been part of life for several thousand years. They still are. Look at what’s happening in Iraq right now–Sunnis butchering Shia Muslims. You can see how political correctness has distorted the literary landscape when writers of historical fiction attempt to cleanse offensive language in their books that was once used to describe certain races, classes, religions, and ethnic groups.

As one group member said: “Let’s not only get political correctness out of historical fiction, let’s get it out of society. If you wrote a Civil War story and had a character refer to a black person as an African-American, you ought to be horsewhipped.”

Let me say it forthrightly and plainly: political correctness has no place in historical fiction. If you are striving to create accurate characters and events in a novel about the past you must create characters that think, speak, and act the way they did during the period in which the novel is set.

To inflict political correctness on literary art is to censor and suppress creativity. PC has already overrun and dampened free speech and innovative thought in our schools and on college campuses. God forbid that the thought police should be successful in invading the province of historical fiction too!

Yet the PC thugs have already been successful getting books like Huckleberry Finn and Tom Sawyer by Mark Twain and Uncle Tom’s Cabin by Harriet Beecher Stowe removed from some school libraries because of their use of language and racial characterizations prevalent in 19th Century America. They have even convinced a few publishers to issue “cleansed” versions of Mark Twain’s work with some passages and descriptions rewritten and some offensive words removed.

Taking this a step further, I think one of the most egregious phrases that the PC Gestapo has inflicted on our society is: “hate speech.” Even the ACLU, that great liberal bastion, says there is “NO SUCH THING AS HATE SPEECH. THERE IS ONLY FREE SPEECH.”

The way to deal with so-called “hate speech” is to have more free speech, the ACLU says–not to shut down speech that YOU may think is offensive.

When we begin to label speech that may be offensive to a particular group as “hate speech” it has a widespread chilling effect on all of us. Yet, I saw classes being taught at the university where I was a dean that discussed the issue of racial prejudice without using the epithets and pejoratives commonly used in the past to describe black people, Hispanics and other minorities.

This is just silly. The only words that were allowed in class were the defamatory ones used to describe immigrants from Ireland, Italy, Poland, France, Germany, etc.

The assumption, I guess, is that it is OK to use words like mick, honkie, wop, kraut, pollack, frog, etc. because, after all, those people are white. But you may not use words like nigger, beaner, chink, raghead, slope head, etc. in a history class about racial relations because saying them, even in an educational setting, may offend someone.

That’s like teaching music, but banning certain notes the music teacher doesn’t like from being played. How would Mozart sound if double flat notes or tuplets were not allowed to be played?

Professors who impose PC on students in the classroom are shortchanging their education by eliminating viewpoints they don’t like. Sadly, I have seen this pattern of behavior too often. I will not abide it in my own writing, nor should authors who seek honesty in their work.

This is where all of this PC nonsense has led us: to a disingenuous, hypocritical America where truth is suppressed in favor of mandated diversity and inclusiveness.

There is nothing wrong with promoting a more diverse and inclusive nation–but I think this country, despite its less than stellar racial history, has done a pretty good job of creating a nation of people who get along pretty well. There will always be anomalies, there will always be racism, there will always be people who hate others who are different from them, but all in all, I think the United States is doing OK. Case in point: the current two-term occupants of the White House.

As writers of historical fiction, it is incumbent upon us to be truthful in our depictions of times past–ugly warts and all.

For the PC thought police it is not the only the politically incorrect word or name that is the problem. It is a person’s attitude, an individual’s mindset, his/her ability to think freely and express himself/herself in a certain way that the PC bullies want to control. If an individual’s opinions do not conform to THEIR Weltanschauung, then those opinions should not be expressed. This is intolerance in the extreme.

The PC police believe everybody should think EXACTLY like they do. Does that remind you of Nazi Germany, or the USSR under Stalin, or China under Mao, or North Korea today? It should, because by suppressing and controlling the way people think and express themselves the PC thought police are destroying the very intellectual diversity that engenders creative thought.

To paraphrase another author in one of our discussions: “We in the USA are now in our own oppression era, quite similar to Hitler’s Germany, Stalin’s USSR, or Mao’s P.R.C., where you can lose your job, your promotion, your chance at tenure, or even an opportunity to get a job, because of a ‘traditional belief,’ or a belief that doesn’t toe the line of the PC thugs currently in charge of the media and ‘special’ interest groups.

“Let there be no mistake, the oppression is real and it’s not just about what we write, or our hopes/goals of being published and selling our work (which is after all, an extension of our selves in part); it’s about what we are ALLOWED to say or write, either by the ‘guardians of PC’ or government.”

The underlying question is this: are we really ‘free’ in what we choose to write and say? Do we indeed still have ‘freedom of speech’ as guaranteed by the First Amendment, or do we now SELF-CENSOR because we are afraid of ‘the backlash’?

For those who write or who create other forms of art these are critical questions that need to be considered. I for one will not be bullied by the PC thought police in my historical novels.

Politically correct speech and its offshoots of intolerance, censorship, and social intimidation are the greatest dangers to free speech since the First Amendment was inserted into our Constitution in 1791.

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